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This comment is peripheral, but touches on a point you make in your NYer piece: "A feeling for a writer never touches the fact of the writer herself, unless reader and writer happen to meet. In fact, from Shakespeare to Pynchon, the personalities of many writers have been mysterious."

Right. But feelings for characters (or perhaps ideas, ideologies, methods, stylistics) are what matter in the writers you mention, not their personalities. I don't even know the names of most of the writers or even directors of most of the TV shows I watch, much less their "personalities."

On the other hand, in the realm of "non-ficition" one probably has a better feel for Montaigne or David Sedaris than one does even for Hillary Clinton.

In fact, I'm sure I have a better feel for David Sedaris than I do for David Lynch (note the switcheroo). Of course, I've heard Sedaris on the radio, but somehow I feel a closer connection even to Mark Twain than I do David Lynch. David Letterman, of course, is another think altogether, (although he probably has more gag writers than Mark Twain).

So my glib use of the Davids notwithstanding, I do think one responds to TV very differently than one does print, and one of the major differences is that most readers approach print with the eye-dea that the piece has been written by someone. We have authors and bylines, not to mention the updated hieratic scratchings which form the Roman alphabet, all of which imply an agency producing an artifact we must mediate (unlike the "moving picture," presumably more immediate; part of the point of "completing the cycle of the human sensorium" is producing cultural products which more closely mimic our lived experience--mimesis, if you will, thus coming closer to "losing ourselves," as you have Plato to have it).

But the visual media can often be consumed as having been created by those we see producing it; after all, it's Lynch who is more the auteur than Raimi, though many more people have seen the latter's films. Probably more viewers of "Spiderman" give Toby Maguire credit for their pleasure in viewing than there are those giving Kyle MacLachlan credit for "Twin Peaks." I think the latter is more "literary" than the former--meaning that it uses techniques of literacy more than those of "visuality[?]" (you use the term "orality," but I really think that's an error when applied to our visual media culture).

Of course, post-modernism uses techniques you note as "oral." In "Twin Peaks," inconsistencies exist and are never addressed, even though one can rewind and point them out. Likewise, in post-modern writing, inconsistencies are often introduced. In early post-modernism, inconsistency was celebrated, a breaking-down of the linear rationalism of the written record; but now, perhaps, our thinking has changed, and we simply enjoy the frisson of the indeterminate--something our illiterate ancestors might either have missed or experienced as a cognitive dissonance (itself often perfectly frisson-producing and pleasurable). In other words, when the text diverges from the rational, we just enjoy it (much as one who spots the car speeding by in the background of a scene from the "Lord of the Rings" just enjoys noticing it; or, my favorite, the boom mike in the scene overlooking LA in "Valley Girl." Doesn't Nicholas Cage and the concept of a valley girl just cry out for a boom mike dropping into the shot--in some ways making it more "real" than if the fact of the movie's "movieness" (and ineptitude) were not so revealed?).

Wow, I've gone pretty far afield. But mainly to suggest that "author" is something that doesn't require, but which becomes stronger (and longer-lasting) in print culture (who wrote "Beowulf"?). Of course, my point about fiction v. non-fiction (made earlier in the context of our remembering the narrative voice of a written piece as belonging more to the "character" than the "author" [although these may be one and the same]) also begins to break down in oral culture. That, though, fits in with my belief that the closeness we feel to Spiderman is our belief that he is doing what we see rather than that he is acting out actions created by someone else.

So, I guess my point is that if we return to more orality, we won't come to better understand Shakespeare or Pynchon; we will understand them less. The former because we will return to a world where record-keeping is weak (due to a lack of literacy), particularly for someone who is not thought particularly noteworthy (note that we lack solid records for most of St. Thomas More's life, and he was far more important to Henraic life than Shakespeare ever was to Elizabethan) or to those who choose to participate as little as possible in the media culture (pace Pynchon).

My own data are definitely anecdotal (since they are my own and virtually unique), but I wonder if they might shed light on a way to measure the effect of television on learning.

I was born in the mid-sixties, and I was a latchkey child. I don't remember ever having my TV-viewing habits monitored or curtailed, and I am certain that I watched at least three or four hours a day of TV once I entered elementary school (to which and from which I walked unsupervised everday; I would wait for my mother to get home several hours each day; needless-to-say, int the period that I waited, I watched TV). I hated so-called "educational TV," though I watch the occasional "Mr. Rogers" out of a sense of obligation (I did enjoy the Neigborhood of Make-Believe); I never liked "Sesame Street." An additional caveat: My school showed us "Electric Company" in the classroom several times a week (which I loved; I love this show to this day), as well as "Big Blue Marble," which I detested and remember absolutely nothing of.

My point is that I have consistently scored in the 99th Percentile in both language and reading skills my entire life. By the time I took the GRE, I was in the 96th percentile for math, but still in the 99th for language, and above the 94th for logic.

My question? Did TV hurt or help me? The bulk of the shows I watched were re-runs from the 50s (Lucy, Honeymooners), 60s (Dick van Dyke, Gilligans Island), and 70s (Brady Bunch). We also watched cop shows and westerns together in primetime, along with "The Wonderful World of Disney." On Saturdays I'd watch cartoons (along with "In the News," and "Schoolhouse Rocks," both of which I loved); in the afternoon I'd watch "Creature Feature," which would show one or two horror movies with arch commentary by someone named "Dr. Paul Bearer," and "The Wide World of Sports." We attended church on Sunday (Disney was a treat, actually, as we'd often go to Sunday night services, as well). Whenever it was on, my brothers and I would watch wrestling (itself hosted by the arch, wry Gordon Soley).

In addition, my family (three slightly-older brothers, relatively well-educated and verbal mom) was very talkative and disputatious. We'd constantly talk or argue about what we'd seen or were seeing. My brothers and I regularly wrestled each other according to what we'd seen on TV, and my friends and I loved playing out Looney Tunes shows and Star Trek episodes (I was always Kirk, and I usually ended up imprisoned in my elementary school's monkeybars to be rescued by the [female] Spock and McCoy [yes, I played mainly with girls]).

Did TV hurt me? Would I be even smarter now had I not watched? Or did the exposure to other cultures and times, not to mention the sense of irony TV gave me, actually help form my brain? What was the role of my very-verbal and critical family, which discussed minutia at the dinner table? What about translating the shows into active play?

I also, according to my mother, taught myself to read at age 4 in a highly-literate family (we had many books, though most were of the popular- or pulp-fiction variety). We also listened to the radio and had lots of popular records.

And the final wrinkle? Because of socio-political beliefs of my newly-married mom and her husband (my stepfather), I watched almost no TV during high school.

During my entire life, I have read quite a bit. In elementary and junior high, I went to the library every Saturday; my brother and I would take out 10 or 20 books at a time. I read many a series, including "The Great Brain," Scott Foresman, "Henry & Beezus," and McCloskey's Henry Reed series (which reminds me that I really loved "The Patty Duke Show," as well). I particularly remember reading Vonnegut in 5th grade; I understood enough to know that I didn't understand much.

I think TV can help, especially if it is eclectic and accompanied by discussion [and if it doesn't completely displace reading].

Am I an outlier? Or is my experience a possible indicator of how it's not the quantity of TV but the quality of the TV-watching experience that matters? (I am very careful not to talk about the quality of the shows themselves; I loved Lucy, Beaver, and Gilligan, after all).

Thanks for these thoughtful and well-developed comments.

Harvey, I take your point that the distinction between text and streaming media should probably be cross-checked with the distinction between fiction and nonfiction. In writing the NY-er piece, I was thinking to some extent of my experience as a viewer of the Iraq war documentary "No End in Sight," and how the documentary had to turn journalists into actors in order to tell its story, and it seemed to me this was in some ways a distortion of what journalists aspire to do, though a distortion made normal by the institutionalization of such roles as anchorperson.

Ken: It's impossible to bring statistical generalizations to bear on personal experience. Though it's also impossible to resist trying, and as I was talking through this research with friends, we also found ourselves wondering what TV had done to us or hadn't. In terms of your test scores alone, you're clearly an outlier. But as your experience suggests, it's important not to distort sociological data by elevating it into scientific law. (Though I will say that it's suggestive that you stopped TV-watching in high school. The Johnson, Cohen, Kasen, and Brook study [referenced above] did find that students whose TV consumption decreased between ages 14 and 16 lowered their risk of academic failure. In other words, there's evidence that lowering TV intake even in the teen years can be beneficial.)

Enjoyed the essay and was impressed with the breadth and depth of academic perspectives brought to bare on the topic. The peer-reviewed research studies listed above, although far from exhaustive, are relevant and legitimate. The list represents more background in the research literature than I would expect to find in most articles in a non-academic publication, even given the sophisticated readership of the New Yorker.

However, even this short list highlights that it is difficult, if not impossible, and arguably inappropriate, to make definitive statements about the relation of television viewing (and by extension other informational and entertainment media) and academic achievement in general and reading in particular. The issues and potential mitigating factors are incredibly complex and interacting. Here are a few perspectives that I find interesting and relevant that were not considered explicitly in the essay, along with a supporting source:

Differences in learning across different media may be explained in part by the different attributions people project onto particular media and the consequently different mental effort they allocate to acquiring information from those media.

Television is 'easy' and print is 'tough': The differential investment of mental effort in learning as a function of perceptions and attributions. Salomon, Gavriel; Journal of Educational Psychology, Vol 76(4), 1984. pp. 647-658.

Restricting TV viewing does not necessarily stimulate more reading, but leads, kids at least, to engage in other activities that fulfill the same needs as TV viewing, which is not necessarily reading.

Neuman, S. B. (1991). Literacy in the television age: The myth of the tv effect.
Norwood, NJ: Ablex.

There are a variety of other outside-of-school activities that are more strongly correlated with reading achievement (e.g., time talking on the phone) than watching television.

Anderson, R. C., Wilson, P. T., & Fielding, L. G. (1988). Growth in reading and how
children spend their time outside of school. Reading Research Quarterly, 23, 285-303.

The dates on these citations indicate the length of time we have known about such factors (identified by highly regarded researchers, I might add) even though they are not often included in the discussions of how various media might or might not affect educational achievement, habits of reading, and so forth.


David Reinking:

Thanks for the kind and respectful words, and for sharing the perspectives and citations. I hasten to say that I've never claimed that this little online bibliography was "exhaustive"! One of the books I consulted has a bibliography on the topic of children and television that is 130 pages long, and that book is now several years old. While writing this article, I was wearing my journalistic hat, and in choosing which scholarly papers to read, I aimed for (a) peer-reviewed studies published in the last few years, and (b) recent surveys of the literature by scholars in the field who seemed (to an outsider's eye) to be widely respected.

I hasten, too, to agree with you that "The issues and potential mitigating factors are incredibly complex and interacting." But I'm going to stick with my impression---admittedly, a journalist's impression---that the preponderance of the research suggests that entertainment television on average impairs academic performance, and that some educational television seems on average beneficial, though the benefit is disputed by some researchers. But I know that the relationships between television watching, reading, academic performance, socioeconomic status, and individual variation are very complex.

Thanks for adding the new sources and perspectives to the discussion. (I do recall at least skimming "Television is 'easy,' and print is 'tough'"; it's also discussed, as a variation of the "mental effort theory," in the Schmidt and Anderson chapter cited above.) Let a thousand flowers bloom!

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