According to Mason Neil, who reviews books on Instagram by pairing them with drinks, Overthrow is best washed down with a can of White Claw hard seltzer.
Emily Homonoff interviewed me about Overthrow for the Reading with Robin podcast, and we talked a lot about my dog.
When James Conrad, from the Golden Notebook bookstore in Woodstock, NY, was a guest on WAMC’s The Roundtable last week, he picked Overthrow as one of his books of the week.
Nicholas Dames, the literary fiction editor at Public Books, wrote about the Jamesianness of Overthrow, which is on his nightstand.
And a site called Read It Forward avers that Overthrow has a cool male protagonist who isn’t secretly an asshole.
There’s a lovely review of Overthrow in the September issue of Bookforum, which places the novel in the literary tradition and sees in it allegories of queer reading.
Over the weekend, I spoke with Amy Guth of Chicago’s WGN Radio about my recent article in the New Yorker on the history of unions and also, a little, about Overthrow (the segment with me starts at about 6:14).
If you’re in New York, please come to the reading at the Strand on Thursday, September 5, at 7:30pm! Admission is with purchase of the novel or of a $15 gift card.
I’m happy about two new reviews of Overthrow. On the New Yorker website, Garth Greenwell focuses on the novel’s style, which he sees as the book’s most crucial protagonist.
And at NPR, Annalisa Quinn focuses on the novel’s metaphoric treatments of technological surveillance.
Meanwhile, the website of Powell’s bookstore in Portland has published a self Q&A that I wrote for them, including the disclosure that I collect whaling stereoviews and a drawing that I made of my writing desk.
I’m very happy to report that there’s another thoughtful, positive assessment of Overthrow,” this time by Mark Athitakis in the Washington Post.
There’s a spirited, insightful, and generous review of Overthrow in the Boston Globe by Anthony Domestico this weekend, and I feel very honored and grateful. It’s uncanny to see something one wrote reflected back through a sympathetic critic’s understanding, and it’s sort of only now that I’m realizing how “fantastical,” as Domestico puts it, the novel is.